Maura Wright

Maura Wright weds high art to low until we can’t tell the difference, until we feel ourselves acknowledging the staginess of all art, of all life. The pastiche considers the current conversation between craft and high art–the former all about repetition/perfection, the latter about the medium of clay as expressive material. The decorative is primarily dissected. Glazed vases and vessels feel pried from still life. The pleasure of the work comes from deft and shifting angles between the tradition of the past and the impropriety and insouciance of the present moment, from questioning the real and the imitation.