The Second Year Fellowship Reception
Caroline's studio practice has long circled the aesthetics of everyone’s least-favored pots from the wood kiln—the underfired pots, often stubbornly and not without great effort, from the far reaches of a kiln. These are the pots that might otherwise be unceremoniously tossed to the shard pile: surfaces marked by muted flame, a light non-stick dusting of ash, and the quiet presence of bare clay. Caroline is drawn to their subtlety—to pots that resist immediate resolution and insist on unfolding slowly over time.
The Second Year Fellowship Reception
